LES UTOPIES CHRETIENNES
Corin BRAGA
|
| 13-31 |
PRINȚESA POETĂ ȘI SPIOANĂ (LUCIA ALIOTH)
Al. CISTELECAN
|
| 32-35 |
FLORIN IARU. THE APPEAL TO IRONY
Iulian BOLDEA
|
| 36-42 |
THE UNREAL AND THE IMAGE IN GASTON BACHELARD’S PHENOMENOLOGICAL POETICS
Dorin ȘTEFĂNESCU
|
| 43-51 |
NATIONALISM AND PROBITY
Petronela-Gabriela ȚEBREAN
|
| 52-56 |
POSTMODERN VS. TRANSMODERN – KAFKA
Ștefan VLĂDUȚESCU and Dan Valeriu VOINEA
|
| 57-64 |
DYNAMIQUE DE LA MÉMOIRE DANS DORA BRUDER DE PATRICK MODIANO
Serenela GHIȚEANU
|
| 65-69 |
MIRCEA ELIADE’S LITERARY TOPOGRAPHIES OF BUCHAREST
Dana BĂDULESCU
|
| 70-80 |
THE EDENIC TOPOS IN MIHAI EMINESCU'S POETRY
Ion Popescu-BRADICENI
|
| 81-88 |
PRESERVATION, CONSERVATION AND ARCHIVING OF DIGITAL RESOURCES – SPECIFIC PROBLEMS
Elena TÎRZIMAN
|
| 89-94 |
A SOCIO-PSYCHOLOGICAL APPROACH TO HUXLEYʹS ”BRAVE NEW WORLD” VIA LACAN
Clementina Alexandra MIHAILESCU
|
| 95-98 |
THEORIES REGARDING THE FRONTIERS IN THE BYZANTINE AND MUSLIM WORLD
Adriana CÎTEIA
|
| 99-111 |
LITERARY SPACE, FILM SPACE AND HISTORIC SPACE: BODIES, GESTURES AND RITUALS
Gabriela-Mariana LUCA
|
| 112-118 |
A CONTRASTIVE ANALYSIS IN TRANSLATING MEDICAL TEXTS
Simona Nicoleta STAICU
|
| 119-125 |
AGAIN ON THE LINGUISTIC EXPRESSION OF THE ASPIRATION TOWARDS THE ABSOLUTE IN THE POETRY OF TRAIAN BORZ
Florina-Maria BĂCILĂ
|
| 126-134 |
ERWIN WITTSTOCKS WERK, EIN BILD DES SIEBENBÜRGISCHEN ZUSAMMENLEBENS
Olga KAITER
|
| 135-141 |
CREATION ET CONNAISSANCE - LA CRISTALLISATION PROGRESSIVE OBJECTIVE
Camelia BIHOLARU
|
| 142-150 |
SUR LES REVUES LITTÉRAIRES DE LA SOCIÉTÉ ROUMAINE PRÉMODERNE
Ioana-Crina COROI
|
| 151-155 |
THE CONTOURS OF A STRANGE GEOGRAPHY : THE SPACE OF BUCHAREST IN MIRCEA CĂRTĂRESCU’S PROSE
Ana Alexandra SANDULOVICI
|
| 156-160 |
THE EPILOGUE OF EMINESCUʼS JOURNALISTIC WORK
Mihaela MOCANU
|
| 161-168 |
IDEOLOGY AND NARRATIVE IN HEMINGWAY’S WAR FICTION
Edith-Hilde KAITER
|
| 169-175 |
THE DRAMATIC MODEL IN THE CONSTRUCTION OF CAMIL PETRESCU’S NOVELS
Ariana BĂLAȘA
|
| 176-182 |
DENIS DIDEROT: À LA RECHERCHE DE LA « LUMIÈRE DES LUMIÈRES »
Elena Mihaela ANDREI
|
| 183-189 |
ARCHAIC LEXICAL ELEMENTS IN THE UNIVERSAL CHRONICLE BY MIHAIL MOXA
Iuliana Valentina BOBOACĂ
|
| 190-195 |
SPEECH ACTS IN NEWSPAPER HEADLINES
Elena Rodica OPRAN
|
| 196-204 |
THE CONCEPT OF “WISDOM” IN OLD TESTAMENT POETIC LITERATURE
Liviu URSACHE
|
| 205-210 |
IDENTITY AND OTHERNESS IN MIRCEA NEDELCIU’S PROSE
Ana-Valeria GORCEA (STOICA)
|
| 211-217 |
COMMUNICATION AND MANIPULATION TO CICERO
Alexandru Lucian VOINEA
|
| 218-227 |
TRADUIRE PABLO PICASSO, UNE VRAIE PROVOCATION
Violeta CRISTESCU
|
| 228-235 |
OLD SENTIMENTAL NOTEBOOKS
Elena LAZĂR (BURLACU)
|
| 236-242 |
ANALYTICAL LIMITS OF THE RESIDUAL
George Alexandru CONDRACHE
|
| 243-248 |
LE CORPS VECU ET LE CORPS FANTASME: QUELQUES HYPOSTASES DU CORPS FEMININ CHEZ ANNE HEBERT ET CALIXTHE BEYALA
Florentina Ionela MANEA
|
| 249-257 |
FROM SOCIAL REALISM TO MODERN NARATIVE TECHNIQUES
Mihaela-Adelina CHISĂR-VIZIRU
|
| 258-262 |
PERSONALIZED MICRO-IMMORTALITIES. A LITERARY ILLUSTRATION
Adriana TEODORESCU
|
| 263-269 |
THE LUCA MATRIOȘKA. SOCIAL AND CORPORAL UTOPIA
Iuliana MIU
|
| 270-274 |
I.D. SȂRBU AND HIS PLAYS: ARCA BUNEI SPERANŢE, FRUNZE CARE ARD AND PRAGUL ALBASTRU
Lucia ȘOPTEREAN (STRETE)
|
| 275-278 |
CRITICAL RECEPTION OF THE NOVEL LIFE ON A PLATFORM BY OCTAVIAN PALER
Judit-Mária SZILÁGYI (SZÖVÉRFI)
|
| 279-286 |
THE CHRISTIAN IMAGINARY. A POSSIBLE DEFINITION
Liliana DIACONU
|
| 287-293 |
BUILDING A SCHOOL CULTURE AND BEING PROACTIVE IN REMOVING BARRIERS AND OBSTACLES THAT LEAD TO EXCLUSION
Magda-Elena SAMOILĂ
|
| 294-298 |
THE CHARACTER ALTERITY. THE FEMININE
Lucian-Nicu RĂDĂȘAN
|
| 299-305 |
ROMANIAN LITERATURE IN HIGHSCHOOL TEXTBOOKS. DISTRIBUTION AND REPRESENTATION
Simona FORTIN
|
| 306-314 |
THE BIRTH OF JESUS CHRIST IN GIOVANNI PAPINI’S VIEW
Diana-Lavinia BUMBARU
|
| 315-317 |
THE VISUAL MESSAGE
Cristina Camelia IGNATOVICI
|
| 318-323 |
”CALENDARUL MUREȘULUI” – INSTRUMENT OF IDENTITY AND RELIGIOUSMORAL FORMATION FOR THE ROMANIANS ON THE MUREȘ VALLEY
Antonina Silvia FRANDEȘ ANDONE..................................................................................
|
| 324-328 |
ENDER’S GAME AND THE WILL TO POWER (CLOSE READING)
Călina BORA
|
| 329-335 |
PERSPECTIVES ON THE CONCEPT OF FANTASTIC IN LITERATURE
Nicoleta Doina POP (POCAN)
|
| 336-340 |
UN DESTIN ENTRE PIERRE ET PAUL. POUR UN ART POETIQUE
Bianca-Livia BARTOȘ
|
| 341-346 |
THE DOMINATION OF SCIENCE AND THE MEDICALIZATION OF CONTEMPORARY SOCIETY – AN INTERPRETATION OF THE CURRENT EUROPEAN LEGISLATION REGARDING EUTHANASIA
Gabriela MUNTEANU
|
| 347-351 |
AUTOFICTION – GENERICAL LEGITIMATION AND IDENTIFICATION CRITERIA
Diana SOFIAN
|
| 352-360 |
DIMITRIE LIUBAVICI AND THE PRINTING ART OF TÎRGOVIŞTE
Agnes Terezia ERICH
|
| 361-365 |
CANIBAL SPACES. THE SUBJECT BETWEEN PETRIFICATION AND RUNNING INTO THE DESERT
Iudita FAZACAȘ
|
| 366-370 |
UN LIVRE DE PRIERE PUBLIE EN LANGUE FRANÇAISE PAR LA METROPOLE ORTHODOXE ROUMAINE D’EUROPE OCCIDENTALE ET MERIDIONALE
Felicia DUMAS
|
| 371-377 |
GADJO DILO- GIPSY DON QUIJOTE
Albina PUSKÁS-BAJKÓ
|
| 378-386 |
COMMUNICATION IN THE DRAMATIC WORKS OF WILLIAM SHAKESPEARE
Raluca-Sînziana GHERVAN
|
| 387-393 |
HARAP-ALB AND THE DISCOVERY OF THE SELF
Oana-Lucia SAVA (CSATLOS)
|
| 394-398 |
ILEANA MĂLĂNCIOIU - LIFE AND DEATH LYRICS
Bianca CRUCIU
|
| 399-403 |
THE TYPOLOGY OF THE METATEXT IN ALEXANDRU GEORGE’S PROSE: DIMINEAȚA DEVREME
Valentina Iliescu
|
| 404-410 |
FIGHTING FOR THE NATIONAL UNIFICATION – ROMÂNUL NEWSPAPER (1914-1918)
Carmen TÂGȘOREAN
|
| 411-418 |
ALCHEMICAL INTERFERENCES IN LIVIU GEORGESCU’S POETRY
Ștefan Mihai SEBESI-SÜTÖ
|
| 419-422 |
THE ANALYSIS OF SYMBOLS IN INCANTAŢIA SÎNGELUI, BY VASILE LOVINESCU
Alina BĂRBUȚĂ
|
| 423-426 |
ION BARBU. THE ROMANIAN POETIC BALCANISM
Maria MOVILĂ (POPA)
|
| 427-433 |
CAMIL PETRESCU THE HUXLEYAN
Alexandru-Ionuț MICU
|
| 434-439 |
GRIGORE VIERU – NOW AND FOREVER
Teodora-Georgiana AMZA
|
| 440-443 |
MARIANA MARIN’S POETRY: A LYRICAL PARAPHRASE OF ANNE FRANKE’S DIARY
Angelica BĂEȚAN (STOICA)
|
| 444-449 |
RADU PETRESCU – THE DIARY BEYOND THE NOVEL
Carmen-Elena FLOREA
|
| 450-459 |
VIOREL MARINEASA: „CORESPONDENŢE, COMPUNERI, TĂCERE”-REFLECTIONS OF THE POSTMODERNIST MIRROR
Julia DEÁK
|
| 460-464 |
TRANSLATING GRAHAM SWIFT’S LAST ORDERS – SOME OF LENNY TATE’S STRIKING OF CHORDS
Alexandra Roxana MĂRGINEAN
|
| 465-472 |
DANTE AND PETRARCH AGAINST THE IGNORANCE OF THE SCHOLASTIC THEOLOGIANS
Liviu Iulian COCEI
|
| 473-479 |
PERSPECTIVES ON THE DIMENSION OF A LITERARY HISTORY: BETWEEN SHORT AND EXHAUSTIVE
Lucian D. BĂICEANU
|
| 480-487 |
THE HOLOCAUST AND THE (I)REVERSIBILITY OF TRAUMA: NICOLE KRAUSS, MAREA CASĂ
Sorin-Daniel FAUR
|
| 488-493 |
IDEOLOGICAL MISTAKES OF LOUIS FERDINAND CÉLINE AND EMIL CIORAN
Mara Magda MAFTEI
|
| 494-507 |
THE AWAKENING AND ”A PAIR OF SILK STOCKINGS”: A FEMINIST PERSPECTIVE ON MOTHERHOOD AS INSTITUTION
Maria-Viorica ARNĂUTU
|
| 508-515 |
PAUL GOMA. ADAMEVA: L’UNIVERS PITTORESQUE DE LA FEMME
Mariana PASINCOVSCHI
|
| 516-522 |
MIRCEA ELIADE’S YOUTH WITHOUT YOUTH. SHORT STATISTICS OF ITS RECEPTION OR FRANCIS FORD COPPOLA AND THE ALCHEMY OF SUCCESS
Cristina SCARLAT
|
| 523-534 |
THE MYTH OF SACRIFICE IN LUCIAN BLAGA’S DRAMAS
Alina Luciana OLTEAN
|
| 535-538 |
THE WEIGHT OF LINGUISTIC INTERACTIONS IN THE LITERATURE OF ACCOMMODATION
Nicoleta-Loredana MOROȘAN
|
| 539-543 |
THE TRIANGULAR DESIRE IN REBREANU’S NOVEL ION
Imola Katalin NAGY
|
| 544-551 |
NEO CALIBAN, LOOKING FOR MODEL!
Elena PÂRLOG
|
| 552-561 |
NICOLAE STEINHARDT- SELF THROUGH OTHERS
Claudia CREŢU(VAŞLOBAN)
|
| 562-564 |
THE WEDDING’S THEME IN THE ROMANIAN CULTURED POETRY
Ioan GHEORGHIȘOR
|
| 565-569 |
A FORGOTTEN TETRALOGY
Enikő MAROSFŐI
|
| 570-576 |
ROMANIA IN ENGLISH TRAVEL LITERATURE. FROM A WINTER IN THE CITY OF PLEASURE TO THE WAY OF THE CROSSES
Adriana Dana LISTEȘ POP
|
| 577-583 |
PARCOURS DADA
Elena Monica BACIU
|
| 584-586 |
TERMINOLOGIE ECONOMIQUE
Ruxandra PETROVICI
|
| 587-593 |
REALITY AND MYTH. TECHNIQUES USED FOR THE AMBIGUOUS
Vlad-Ionuț SIBECHI
|
| 594-597 |
KWAME ANTHONY APPIAH, COSMOPOLITISM. ETICA ÎNTR-O LUME A STRĂINILOR
Ana-Maria CHEȘCU
|
| 598-600 |
THE CRITICAL RECEPTION OF IOANICHIE OLTEANU’S WORKS
Delia Natalia TRIF (ANCA)
|
| 601-605 |
THE CRITICAL RECEPTION OF MIRCEA IVĂNESCU IN 2004
Diana DAN
|
| 606-611 |
HORTENSIA PAPADAT-BENGESCU. LANDMARKS OF THE SHORT PROSE
Mihaela STANCIU (VRAJA)
|
| 612-618 |
REWINDING A CLOCKWORK SELF: DISINTEGRATION AND UNITY IN THE BRITISH LITERATURE OF THE 60S: THE GOLDEN NOTEBOOK AND A CLOCKWORK ORANGE
Ioana BACIU
|
| 619-626 |
V.S. NAIPAUL’S TRAVELOGUES: HINDU VERSUS MUSLIM COMMUNITIES
Roxana Elena DONCU
|
| 627-635 |
CULTURAL ASSOCIATIONS FROM TIMISOARA DURING THE END OF XIXTH CENTURY AND THE BEGINNING OF THE XXTH CENTURY. SOCIAL IMPLICATIONS
Alin Cristian SCRIDON
|
| 636-644 |
AMBIGUITY AND INDETERMINATION IN THE NOVEL WRITTEN ON THE BODY BY JEANETTE WINTERSON
Monica SIMON
|
| 645-651 |
SEPTIMIU BUCUR – AN UNFAIRLY FORGOTTEN CRITIC
Dumitrița Florina TODORAN (POP)
|
| 652-656 |
NORMAN MANEA, TEXTUL NOMAD /THE NOMADIC TEXT - NARRATIVE INSTANCES OF EXILIC IDENTITY
Simona ANTOFI
|
| 657-667 |
THE AGES OF FEMINITY. IMAGINI FRUMOASE – SIMONE DE BEAUVOIR
Cătălina-Aurora STOICA
|
| 668-672 |
COMPARATIVE STUDY OF THE CONCEPTS REGARDING THE LITERARY HISTORY AND THE ROLE OF THE LITERARY HISTORIAN IN THE CASES OF NICOLAE IORGA, EUGEN LOVINESCU AND GEORGE CĂLINESCU
Roxana-Oana MÎNDRU
|
| 673-682 |
THE ARTISTIC BELIEF OF ION HOREA. POETIC-HERMENEUTICAL STUDY
Anamaria ȘTEFAN (PAPUC)
|
| 683-689 |
THE PLASTICIZED IMAGE OF THE ORIGINAL PLACE IN THE CARCERAL WRITING OF PAUL GOMA
Veronica NANU
|
| 690-698 |
IRONY: THE ARM OF A SKILFUL INTELLECTUAL
Sonia Livia GREC
|
| 699-704 |
TRANSLATING AND REVIEWING CANADIAN SF IN POST-COMMUNIST ROMANIA. THE CASE OF WILLIAM GIBSON
Ana-Magdalena PETRARU
|
| 705-711 |
BENEDICTE HEIM, ALY EST GRAND. UNE ENSEIGNANTE PAS COMME LES AUTRES
Emanuel TURC
|
| 712-717 |
VASILE VOICULESCU – FROM HESYCHASM TO THE GREAT RELIGIOUS POETRY
Doina POLOGEA
|
| 718-723 |